How LAIKA’s ‘Missing Link’ Raised the VFX Bar
Two LAIKA department heads share stories from the production of the studio’s Golden Globe-winning stop-motion animated film “Missing Link.”
Guide to Submitting a Short to SIGGRAPH 2020
Get the inside scoop on what it takes to submit a short film to the VR Theater and Computer Animation Festival Electronic Theater at SIGGRAPH 2020.
Behind the Magic of Netflix’s ‘Klaus’
Production Designers Szymon Biernacki and Marcin Jakubowski, of Netflix’s first original animated feature “Klaus,” discuss bringing the 2D-animated film to life.
Meet the Juror: Silvia Olivas
SIGGRAPH 2019 Computer Animation Festival Electronic Theater Juror Silvia Olivas shares how she stays inspired and so much more.
Flex in VR With the ‘Beach Body Bros’
Tyler Hurd’s “Beach Body Bros” uses VR to bring users an enjoyable, enlightening, and fun experience.
How Baobab’s ‘Bonfire’ Used AI to Make You, the Viewer, Matter
Learn how award-winning interactive VR/AR animation studio, Baobab Studios, created its latest, most impressive project to date, “Bonfire.”
Celebrating 40+ Years of Coding Human Expressions
This SIGGRAPH 2019 Panel celebrates FACS and its power to make computer graphics and interactive techniques more impactful than ever before.
25 Stories You Might Have Missed From SIGGRAPH 2019
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Check out a roundup of some of the biggest stories out of SIGGRAPH 2019.
A Student Story ‘Stuffed’ With Emotion
Élise Simoulin, one of the creators behind SIGGRAPH 2019 Computer Animation Festival Best Student Project winner “Stuffed,” shares inspiration and stories from the making of the short.
An ‘Irresistible’ Way to Make Films: Using Real-Time Technology for ‘Book of the Dead’
Real-time technology is enabling creators to have projects at their fingertips through all stages of the process — and that includes filmmakers.