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The SIGGRAPH 2026 Games Summit is a must-attend destination for game developers coming to LA this July, but it’s only the beginning. From real-time rendering and AI-powered workflows to immersive experiences and production insights from some of gaming’s biggest studios, here’s how to build a games-focused path through the week.
Get a behind-the-scenes preview of SIGGRAPH 2026 Production Sessions featuring “Zootopia 2” and “The Lost Bus”, including insights on animation, VFX, real-time engines, and creative collaboration.
Discover how DOSENMUTTER used Gaussian Splatting, Unreal Engine, and virtual production to transform a childhood bedroom into a giant-world film set.
In this episode of SIGGRAPH Spotlight, Production Sessions Subcommittee member Nathaniel Peters is joined by members of the “Dear Upstairs Neighbors” team to explore the role of generative AI in animation.
Rodeo FX used Gaussian Splat technology on “Dune: Prophecy” to create faster, more detailed previs for complex CG environments. This new workflow improved collaboration and delivered higher-quality visuals earlier in production.
Discover how educators are rethinking filmmaking education through generative AI.
In this episode of SIGGRAPH Spotlight, host Valerie Bernard is joined by Byron Howard, Marlon West, and Kira Lehtomaki to explore the creative and technical journey behind “Zootopia 2”. Together, the creators share how story, animation craft, and visual effects came together at Walt Disney Animation Studios to expand a beloved world while pushing performance, pipeline, and collaboration to new heights.
At SIGGRAPH 2025, a NASA team demonstrated their process for creating large-scale data-driven media that engages with a diverse audience.
SIGGRAPH 2025’s Real-Time Live! returned to Vancouver with a sold-out crowd and a worldwide virtual audience, delivering 12 cutting-edge live demos that pushed the limits of interactive, high-performance graphics.
The Wētā FX team is soaring to new heights with James Gunn’s “Superman”. We caught up with Guy Williams, who captained the film’s VFX team.
Following a captivating season two of “The Last of Us”, the DNEG VFX team is heading to SIGGRAPH 2025 to share a behind-the-scenes look at visual effects work that brought this episodic masterpiece to life.
Nick Epstein, VFX supervisor at Wētā FX, discusses how the stunning visuals of the show came to be ahead of the SIGGRAPH 2025 Production Session “Wētā FX Presents: ‘The Last of Us’ Season 2: The Horde”.