What to Expect in Vancouver as a Student Volunteer for SIGGRAPH 2022
What can SIGGRAPH 2022 Student Volunteers expect to experience at the conference? Hear from the Student Volunteer Program Subcommittee and past SVs to best prepare to participate.
‘Work for what you believe in’: Brie Henderson on Modernizing Costume Design in Animation
In honor of Women’s History Month and women advancing in the field of animation, Brie Henderson shares her incredible story with SIGGRAPH.
From Passion to Practice: Lindsey Olivares
In celebration of Women’s History Month and female creators, SIGGRAPH sits down with Sony Pictures Animation Production Designer Lindsey Olivares.
‘True growth doesn’t happen in a vacuum’: Domee Shi Discusses Directing, Drawing, and More
Pixar Animation Studios Director Domee Shi sits down with SIGGRAPH to share the best career advice she’s received to date and more.
The Analog Years of Computer Animation
Before digital special effects in video and film were done with pots, there was analog computer animation.
Hut, Hut, Hike: Real-time, Machine-learning Cloth Simulation in ‘Madden NFL 21’
A team of Electronic Arts engineers walk through how they developed Swish, a first-of-its-kind cloth simulation tool used to create “Madden NFL 21”.
VFX Supervisor Kyle Odermatt Talks the Making of ‘Raya and the Last Dragon’
SIGGRAPH caught up with VFX Supervisor Kyle Odermatt to capture answers to community-submitted questions from a Production Session on “Raya and the Last Dragon.”
The Life and Career of Ere Santos (So Far)
Sony Pictures Imageworks Senior Animator Ere Santos (“Spider-Verse”) shares his career journey to date and the passion that fuels his approach.
Augmenting Books With Tangible Animation
SIGGRAPH talks with Purnendu about his team’s SIGGRAPH 2021 Labs project, “Electriflow: Augmenting Books With Tangible Animation Using Soft Electrohydraulic Actuators.”
The Handmade Look of ‘The Mitchells vs. The Machines’
One of SIGGRAPH 2021’s most popular Production Sessions, we caught up with VFX Supervisor Mike Lasker of Netflix and Sony Pictures Imageworks’ “The Mitchells vs. The Machines”.