What Does it Take to Put on a Virtual Conference?
ACM SIGGRAPH President Jessica Hodgins shares updates and insight about the virtual SIGGRAPH 2020.
Folding@home: Citizen Scientists Gain Insight on COVID-19
As the COVID-19 pandemic makes waves around the world, Folding@home has emerged as a leader in researching a remedy.
Stay Inspired: Virtual VFX With SIGGRAPH Now
Continue your online education with the SIGGRAPH Now lessons that explore the visual effects of “War for the Planet of the Apes,” “Coco,” and “Ralph Breaks the Internet.”
The Theater Is Sold Out
John Gwinner, a member of the SIGGRAPH 2020 VR Theater subcommittee, shares insight on common misconceptions around VR and the magic of past conference experiences.
Call for 2020 Faculty Submitted Student Work
Richard Lewis of the ACM SIGGRAPH Education Committee offers an overview of the Faculty Submitted Student Work, or FSSW, which will exhibit virtually in 2020.
Interacting With AI ‘Inside the Classification Cube’
Go behind the scenes of SIGGRAPH 2020 Art Papers selection “Inside the Classification Cube: An Intimate Interaction With an AI System.” Researcher Avital Meshi shares how she explored one of society’s most frequently asked questions using artificial intelligence.
‘Homeostasis’ and Human Interference
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In SIGGRAPH 2020 Art Gallery selection, “Homeostasis,” Emil Polyak uses complex coding and development to narrate the human impact on climate change, as told by data.
A statement on behalf of the SIGGRAPH 2020 conference.
SIGGRAPH 2020 shares an update on conference planning as the team continues to monitor COVID-19: “As an event that celebrates a global community…”
SIGGRAPH Spotlight: Episode 34 – Computer Animation Today
SIGGRAPH 2020 Computer Animation Festival Electronic Theater Director Munkhtsetseg Nandigjav sits down with members of her jury to discuss modern computer graphics in an all-new episode of the SIGGRAPH Spotlight podcast.
The Impact of Sound on Surroundings
Victoria Vesna explores the process and challenges for her SIGGRAPH 2019 installation, “Noise Aquarium,” and how artists and researchers can pivot their work to adjust to COVID-19.